Nobody does the spirited 'buck up' genre better than Shankar-Ehsaan-Loy. In the age of overdone, overenthusiastic, overkill, such meet-cute pleasantness is a much-needed breath of fresh air. Trivedi successfully demonstrates it in the mild beats and graceful vibe of Aap Se Milkar. Sometimes the smartest thing a music director can do is not to smother a tune with too many elements.
Singers: Ayushmann Khurrana, Aakansha Sharma
Love how the Munir-Trivedi combo almost bubbles with affection and simplicity as well as the judicious use of shehnai. How I wish they had included Padmaavat's electrifying piece on the official soundtrack otherwise full of Sanjay Leela Bhansali's insistence on playing composer.Ĭontentious as its final scene may be, I'd be lying if I said the headstrong gusto, reckless passion and dramatic chorus chants aggrandising Sanchit Balhara's high-voltage celebration of jauhar didn't give me goosebumps.Īrijit Singh delivers another winner in the starry-eyed promises and optimism of new marriage in PadMan's most infectious offering. It's easy (and rewarding) to lose oneself in the lilting, low-key demeanour of Anurag Saikia's meditative composition and Arijit Singh's glossy vocals. The beauty of long drives, clear roads and indefinite destinations come alive in ditties like this.
More power to Sneha Khanvilkar then for weaving his profound words into her poignant melody that's both a tribute and telling of Manto and his beliefs.Įven if one argues how superior the original Sairat chartbuster is - which is true - there's no way your feet will be able to resist the temptation of Ajay-Atul rapping Zing Zing Zing Zing Zing Zingaat. These evocative lines by Faiz and their allegiance to freedom of speech hold enormous power on its own. Singers: Ustad Rashid Khan and Vidya Shah There is so much to choose from, but it's the vivacious courtship of Atif Aslam and Jyotica Tangri crooning O Meri Laila, I am super addicted to.īut his maverick stamp in just two songs of Sanju is hard to miss.Įspecially the tantalising sensuality and undisguised mischief encompassing Gandhi's come hither overtures in Mujhe Chand Par Le Chalo. Easily one of the best, under-rated, soundtracks of the year, Laila Majnu packs in helluva pluck and passion.
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